What the Press are saying about the Philharmonic… a strange, wonderful, totally distinct ode to musical mastery and nonsense… imagine Andy Partridge of XTC and Beat poet Gregory Corso, wandering between Saturn and New Orleans to sit in with the Sun Ra Arkestra… at once simple, abstract and wondrous to behold. — Ed Bumgardner, Winston-Salem Journal
Dixieland romps, twisted Mardi Gras marches, sweaty 60’s rock, smoky torch songs, and occasional novelties that sound somewhere between Randy Newman and They Might Be Giants, all with hilariously offbeat lyrics. The world would be a better place if Travis would only visit more often. — Sam Hurwitt, San Francisco Express
10 Best Concerts of 2011- Chandler Travis Philharmonic at The Linda (November, 2011) …not just my favorite show of the year, quite possibly my favorite concert of all time, period. A rare night of something spectacular happening on stage from uproarious virtuoso start to sublime and quiet end. — Ted Potrikus, WBCR (Great Barrington, MA)
After She Left” recalls Mose Allison working with Burt Bacharach… gentle romantic elegance… 6 stars! — Steven Rosen, Blurt
…playful original songs that mix mind-bending wordplay with jazz, shimmering rock, and horn-fuelled R & B. — John Donohue, New Yorker
What Frank Sinatra is to New York City, what Bruce Springsteen is to New Jersey, what Elvis Presley is to Memphis, Chandler Travis is to Cape Cod. — Daniel McDermott, Provincetown Magazine
A keenly entertaining blend of the Ringling Bros. and Ra…[that] puts the harm back in Philharmonic. — Jim Macnie, Village Voice
Most excellent show on Mayo Beach…first time I ever saw a trumpeter receive a pizza delivery onstage, eat a slice in two bites, and turn the plate into a mute before the song was over. — Sally Eckoff, civilian
…dazzling musicianship and fearless merry-making… explores the terrains of love and life’s absurdities with rowdiness, tenderness and a sardonic faith in humanity that never wavers… we’re witnesses and co-conspirators in something that feels magical. — Joel Patterson, Nippertown!
Travis treads a fine line between chaos and genius. … But even when he was just making noise, it sounded like beautiful music. — David Hiltbrand, Philadelphia Inquirer
Not unlike NRBQ meets Sun Ra on the beach, doing bong hits spiked with primo acid and laughing gas. — Joe Coughlin, the Noise
The horn players howl, the rhythm section wobbles, and the boss pulls lions out of his hat…if you’re in favor of Vegas weddings, the Firesign Theatre, and the Bonzo Dog Band, you could have yourself a dada field day. — Jim Macnie, Providence Phoenix
…a truly original musical experience. — John Black, Offbeat Boston
…Jonathan Richman for adults… — Christopher Walsh, The Republic of Letters
…when you stripped away the nuttiness, the music was refreshing and strong. The nine players could not hide their competence, no matter how hard they tried. — David Singer, Schenectady Daily Gazette
…these musicians have got serious chops, as well as a really twisted sense of humor. The Chandler Travis Philharmonic is more fun than a barrel of pancakes. — Greg Haymes, Albany Times-Union
From the sing-along party anthem “That’s What She Said,” bare-bones and raw, to the “I’ll Simonize your parents, if you don’t Simonize them first” straight-ahead Kinks, Replacements rock vibe of “Wireless” or the lush “I’m Chandler’s Butterfly,” you know you’re going to have a good time. — David Malachowski, Albany Times-Union
Little did I realize one of the greatest nights of my life would unfold in St Joseph Michigan. No foolin’ -Friday June 15, The Chandler Travis Philharmonic dropped into a west Michigan club, Czars, and proceded to tear the roof off the dump. Sheesh, they were great. I was really uncontrollably shaking… — Paul Tracy Fredrickson, civilian
…[CTP's] gleeful tendency to ignore genre boundaries -not to mention the musicians’ preference for goofy costumes -evokes New Orleans. Elvis Costello-like pop songs, avant-jazz vamps, novelty pieces, and way off-beat lyrics factor into the wildly inventive mix. — Keith Spera, Times Picayune (New Orleans)
[Chandler Travis Philharmonic] exist somewhere on the continuum among middle period Kinks, any-period NRBQ, maybe a pinch of Sufjan Stevens, and every Grammy winner in every category in the history of the world. — Paul Rapp, Metroland (Albany, NY)
this man should either be locked up or made king of the planet. Despite the apparent anarchy, the band (playing their “psycho-jungle-dixieland”) is incredibly tight. — Jason Dean Moriarty, the Noise
One of the best shows in recent memory. So get this latest record, Kitty, but get clued into their website and side projects, and know when the Chandler Travis Philharmonic is coming to town, because that is something you don’t want to miss, ever. — Frank Goodman, PureMusic.com
He’s a true New England eccentric, a master of daft power pop, and live, he plays in his pajamas… — Rob Tannenbaum, Village Voice
It is often difficult for fans to say just what attracts them to Travis’ music. But attract them it does! As the composer of “a few hundred” songs, Travis offers a wide array of musical moods at each show, allowing every fan to enter and engage in their own way. — Matthew Robinson, DirtyWaterNews
Dixieland, pop, avant-jazz, rock…and fully over the top — Jim Sullivan, Boston Globe
What more do you need? A party hat. — David Greenberger, Harp
…like a Mexican version of the Bosstones on Caribbean holiday… — Carly Carioli, Boston Phoenix
about “Chandler Travis Philharmonic Blows!”
Discs like this restore my love for sound and the written word. With its pickled Dixieland ebullience, wicked irreverence and demented melodic sparkle, “Blows!” is unbridled joy clasped between two covers (both of which, incidentally, are hilarious). — Cory Frye, Covallis Gazette Times (Albany, OR)
…a flat-out party…more great musical merriment from CTP. — Greg Haymes, Nippertown
…The Philharmonic is like no big band you’ve ever heard. There’s R&B, jazz, some lopsided Dixieland, blues, and rock & roll. Best of all, this stuff is just hilarious! — Mark Saleski, Something Else!
One of the things I love about this latest CD from the Cape’s quirky musician is the delightfully personal feel of having been invited to an afternoon jam session, complete with adult beverages and lots of laughter. — Kathleen Szmit, Barnstable Patriot
…pure, unadorned heart…Even if you’ve never seen the band before, the wild carousing brass, ringing electric guitar, boisterous handclaps and whoops make it clear how amazing it must be to experience the band live. — Ken Maiuri, Daily Hampshire Gazette
about “After She Left”
An evocative mix of sadness, longing, stubbornness, tradition, humor and kind-hearted acceptance. — Kathleen Szmit, Barnstable Patriot
a rare and unexpectedly sincere solo album — Richard Gehr, Village Voice
…a gently stunning meld of melancholy and chin up/feel-good sentiments… songs, chops, brains, and attitude galore. — Joe Coughlin, the Noise
There’s a hushed intimacy and quiet restraint about “After She Left” that seeps directly into your bones… – a complete 180-degree turnaround from the exuberant antics of the Chandler Travis Philharmonic. — Greg Haymes, Nippertown
Atypically moody and contemplative but also typically smart, funny, sad, and tuneful. — Sarah Rodman, Boston Globe
Chandler Travis is creatively liberated … [After She Left] works softly over a group of plaintive musings built around the ageless and somber notions of love lost. — Sean McCarthy, Cape Cod Times
… full of downbeat ballads, but with quite astounding musical and lyric detours sewn inside familiar and engaging pop song structures, like a coyote in a pillowcase. — Mike Hochanedel, Schenectady Daily Gazette
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Chandler Travis Philharmonic
The Chandler Travis Philharmonic is a 9-piece ensemble from Boston that includes a horn section, string bass, keyboard, mandocello, guitar, drums, accordion, and singing valet. It’s possible they might be the missing link between the Kinks and Sun Ra…
There’s some chance you may be aware of Chandler’s other band, the Incredible Casuals, or of his earlier work with Travis Shook and the Club Wow; either solo or in one or another of these guises, he has appeared with Elvis Costello, Green Day, Bruce Springsteen and the E Street Band, John Cale, Bonnie Raitt, NRBQ (longtime buds Terry Adams and Al Anderson from the ‘Q played on the first Philharmonic album), Charles Mingus, the Beach Boys, Allen Ginsburg, the Replacements, George Carlin (a guest star on two CTP albums, and a traveling companion for decades), Of Montreal, etc., etc.
The Philharmonic was born in the fall of 1996 at the Lizard Lounge in Cambridge, on the occasion of Chandler doing a guest shot there with a house band led by multi-instrumentalist/singer Dinty Child. When asked if he would like to add any additional instrumentation, Chandler, having always hated when elderly bands ruan out of ideas to this extent, facetiously suggested “oh yeah,let’s get some horns and chick back-up singers.” Strangely, Dinty complied with the horn part, booking (among others) genius trumpeter Keiichi Hashimoto, and the CTP was surprisingly hatched!
Later on,cross-dressing drummer Rikki Bates, a pal of Chandler’s from the Casuals and one of the more amazing instrumentalists on the planet, and Keith Spring, (NRBQ, Martin Mull) helped complete the picture.
Since then,the band -all colorfully garbed 8 pieces of them, plus singing valet Fred Boak -have introduced the concept of alternative dixieland and omnipop to audiences all over Massachusetts and far beyond (San Francisco,Chicago,and especially New Orleans and New York City have proved particularly responsive -the Village Voice declared them “keenly entertaining”, calling Chandler “a true New England eccentric and a master of daft power pop”, and the band “a blend of Ringling Bros. and Ra” that “puts the harm back in Philharmonic”, and the New Yorker has repeatedly concurred.)
The band released its debut album, “Let’s Have a Pancake”,along with 26 other website-only full-length CDs (the improbable and ground-breaking RadioBall series) in 2000 as a means of welcoming in the new century; four more “official” Philharmonic releases followed,all on the Sonic Trout label, the most recent being 2010′s “The Chandler Travis Philharmonic Blows!”, which followed hard on the heels of Chandler’s first solo release in a decade, 2009′s “After She Left”.
Photos
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CTP by Barry Donahue
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CTP by Barry Donahue
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CTP by Rachel Jarvis
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CTP by Ken Winokur
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CTP Live @ Toast by David Rogers (we think)
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CTP Live @ Toad by Christopher Walsh
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